In stereo mixes, you can use them as an alternative to your main mics, or you may down-mix these much more diffused signals. Stereo A-B-setup with two AKG C-414 condenser microphones, spotting the very nice reflections of Synchron Stage Vienna’s ceiling. In a surround setup, these microphones would be used for your rear speakers. You may use them as so-called “Wides” or “Outriggers” in a stereo mix in order to create an even more spacious impression. Wide A-B stereo setup with two DPA4011 cardioid microphones. In a surround setup, the Decca tree microphones will be the feed for your front L-R speakers. Used in a stereo mix, you can easily hear where the piano is placed. These very neutral microphones captured even the smallest detail of Synchron Stage Vienna. “ORTF” setup with a pair of Sennheiser MKH 8040 mics for a centered, but harder and more focused sound than the MID 1 Position.ĭecca Tree array (L-C-R) with three DPA 4006 mics. “ORTF” setup with a pair of Sennheiser MKH 800 mics for a wide, warm yet bright and centered sound. “Blumlein” setup with two ribbon figure-eight capsules of a Royer SF-24 mic, for a fast, direct, and natural sound. Ideal for producing the typical “pop piano” sound. “ORTF” setup with a pair of Schoeps MK 4, positioned as closely as possible over the hammer area.

The Room Mix channel contains a stereo mix of all available room microphones from the Full Library The two 'Close' and 'MID' microphone positions are ideal for a more player-oriented mix.

Vienna symphonic library orchestra sf2